15 februarie 2025 | By: roryta

Film Review "0.1%?"

 


autor Roryta

              Film Review

          To fathom the depths of the human being, one must be engaged, one must desire to love man, to explore him, to be inquisitive and to witness what he truly is, in all his splendor, fashioned by God, beyond what is visible to the naked eye, beyond mere matter, beyond the horizon. The horizon may be conceived as the line that divides earth from sky, yet it might also be envisaged as the line that unites heaven with earth. The choice is ours.

       There is something divine within us. There resides that small God which we often repudiate, out of fear, futility, a complete lack of understanding, or perhaps ignorance. God is a delicate subject, hard to digest; faith in Him, in something subtle, intangible, unseen, compels us to be skeptical, to believe that only when we see, only when we hear, or perhaps when all our senses are simultaneously awakened, can we affirm with conviction, YES, He truly exists.

     We crave palpable evidence, we require certainty, authentic confirmations. To prove it, to prove what exactly, that God exists, or to prove that we are far more than what meets the eye?

       God exists regardless of our belief or the absence of these so-called concrete proofs, or perhaps it is not God who exists, but a supernatural force over us, far exceeding our powers of comprehension. 

      Perhaps there is an Allah, perhaps a Yahweh, an Adonai, a Buddha, or by whatever other invented names we might christen this Universe, this mystery that permeates all that is LIFE, this ceaseless motion of dust, particles, and stars, a reality that exists and cannot be denied. Otherwise, what purpose would all this serve, what would be the point of our insatiable thirst for knowledge, our unending rush toward immortality, our earnest spiritual ascent upon the steps of a native faith, bestowed enigmatically by that spark of divinity within us?

        The documentary film "0.1%?" opens thus, subtly suggesting that regardless of religion, faith remains the same throughout the world, be it lived in Tibet, Saudi Arabia, Israel, or Romania.

         Man is a conglomeration of experiences, a collection of powers of which he is scarcely aware. He does not know the extent of the force inherent in his very being; he is oblivious to his own capacities. Why? Simply because we were never taught to believe in ourselves, because we were always told, you cannot, you have limits, you are incapable. Yet some individuals have refused to conform to this notion and have discovered an astonishing capacity to be reborn, to renew themselves down to the deepest particle of their essence, much like the mythical Phoenix, unveiling the sole luminous point within their darkened lives. “Truly I say to you, unless you turn and become like children, you will never enter the kingdom of heaven.” (Matthew 18:3).

        It is a matter of the power of healing, of transformation, of faith, love, and forgiveness, unwritten laws within a mathematical, harsh, incisive thought, demonstrated in terms of performance yet also confessed and felt irrationally, in a misty and sentiment-laden manner, sufficiently enough to afford us a taste and savor of the divine within us. When we understand that the sole link between us and divinity, between us and the Creator, is love, then we shall have grasped the essence of life, the lesson for which we have come here and with which we shall depart, basking in sunlight, unburdened by moments of penumbra.

        The faith in healing springs from despair, from pain, a panic that sets in almost instantaneously, so profound that we must shut the door in the face of the mundane, the sordid that vexes us, and the wholly erroneous life we have led until diagnosis, days of illusions in the crevices of nothingness, casting our obsessions into the trash and quieting our thoughts. In that moment, we desperately long for the God within us, pleading for His help in that measured, almost mendicant moment, to become eternal if possible, and not to perish like birds, without a sigh, but rather to continue existing on this earth, even if it is, to some, considered Hell, thus becoming eternally immortal, clinging with talons to life, a sweet torment so ephemeral, yet so well known and thoroughly experienced.

        I believe despair also arises from our timidity in the face of the unknown; we are fearful, we favor only that which we already know, disliking uncharted realms, even though an innate curiosity still leads us toward mystery, toward occult phenomena, most likely stemming from an enigmatic, unusual facet rooted in our placental self.

          We harbor the hope of being awaited in heaven, we miss the form of our own shadows and those of our loved ones, and we elongate the seconds in the hope that by living a little longer, we postpone an unseemly end marked by too many defeats, despairs, and mysteries, deluding and delighting ourselves in the notion that we have somehow outwitted death, that most deceiving of perceptions par excellence.

         The protagonists of this documentary have traversed the five stages of the human psyche in its relationship with death and pain: denial, anger, bargaining, depression, and resignation, as articulated by the celebrated Swiss-born psychiatrist Elisabeth Kübler-Ross in her book On Death and Dying, they have wept over the ruins within them and reinvented themselves at the brink of prayer, each in their own way, never losing their capacity for self-consolation, clinging to the root of a will that transcends religious expression and speaks instead to essence, drawing forth a sigh from the paralyzing terror of death and quieting the cry of despair.

        The word "cancer" brings with it an end, it signifies the absence of vitality, a dark decoration bestowed by fate, fragmenting our mind into miserly synapses, extracting bits of life from us and amplifying the sudden, deafening void, sealing hope as if in a cell, imprisoning it in a mélange of malaise and catastrophe, facing only an unfathomable chasm.

       To seek and find those austere and surreal resources within one’s contradictory being is akin to mastering a mute keyboard upon which we may rehearse a future joy, a liberation from the stifling cocoon of despair, generously parading toward miraculous healings, toward mysteries that evoke shivers and veiled manifestations of the sacred, toward wonders and inexplicable oddities, yet imbued with a hallowed conviction that tomorrow will arrive with a salvific light.

         The day that transforms today into tomorrow will remain the same day before that same tomorrow, after which, in our understanding, the time within the hourglass of life will have been expended, with us failing to grasp or accept the notion that time is relative, that it, in truth, does not exist. And yet, we cannot systematically hurl ourselves before our own ruins and find sudden solace solely in our personal Apocalypse. Somehow, we must endeavor to remain whole in hope, a privilege that cannot be so hermetically stripped away from our very lives.

        "Your faith has healed you!" proclaimed Jesus Christ to the blind man, as well as to the feeble one from Capernaum. "Your faith has healed you!" is the motto promoted by Romanian director Călin Terțan in his film "0.1%?", a title that now resonates in the hitherto unexplored realm of the Romanian human soul, a successor to another resounding documentary in the actor-free cinematic production, the well-known film ”Death... a ful stop or just a comma?”, also directed by him in 2021.

        In "0.1%?", Prof. Univ. Traian Stănciulescu, together with Prof. Univ. Ovidiu Victor Coșbuc, assert in unison that these healings which we deem "miraculous" are, in fact, our inability to explain them logically, rationally, or scientifically, yet they are underpinned by a foundation not necessarily steeped in religious faith, but rather in an unyielding belief in the healing of both the soul and the body, without resorting to the conventional treatments of classical medicine. 

        Moreover, Prof. Univ. Dr. Psychologist Anca Munteanu affirms at one point, "...I do not go to church merely because it feels good or to socialize, but I go to church because it is my way of accessing high energies."

          Or perhaps not necessarily.

         Perhaps it is not imperative to frequent a particular church, perhaps it suffices to transform our ideas, our conceptions, our antiquated beliefs in pessimism, our old convictions of all that is negative, that which signifies incapacity, a psychological infirmity with which we are not born, yet one that is inadvertently instilled in us by those around us, our parents, our friends, our teachers, even the doctors who treat us, for fear of not being as radiant as the spirits, driven by a longing to roam after many vertically connected loves that directly tie to the Divine Source. 

        Is it a matter of premeditation, is it that these miraculous healings are destined for these people, that they would have healed anyway, much to the astonishment of both themselves and others? Who can know?

        Or perhaps we need an unraveling of mysteries that are not afforded to us, perhaps we require empathetic souls who refrain from condemning us with judgments extraneous to time, examining us as if in a void between life and death and sentencing us, unyielding, cold, and utterly unsympathetic, to a venomous end that crushes the sacred keyboard of our triumphant nature. 

       Let us leave a margin, let us afford a space for the condemned to cling to hope, even if it is an untruth clad in an alluring guise, yet liberating, consoling in its taste for surprise, optimistic and healing in equal measure. "It is only with the heart that one can see rightly; what is essential is invisible to the eye." said Antoine de Saint-Exupéry.

          Miracles exist, at every turn, at every corner, and surely each day, for each of us. What we lack, however, is a spiritual education, a personal mental hygiene, an operation to surf the irrational, this intellect that is sometimes so subjective and inauthentic, the very architecture of an admirable paradox bestowed by God in the primordial clumsiness of man.

       Father Irineu, a consummate priest for whom faith is alive and authentic, as he so beautifully emphasizes in words imbued with wisdom, is an exemplar for those who seek God and perhaps have not yet found Him. He represents a beacon, a light, a quiet fragility hidden behind a voice and a manner of being that is overwhelmingly edifying, a noble, surprisingly delicate balance capable of illuminating the manic, dark ignorance of any staunch skeptic. 

       And what if we were to cease our relentless cataloguing of past transgressions, to proceed methodically and tactfully in search of perfection, the perfection that does not exist? What if we raised our eyes confidently toward the soft tranquility of divinity, toward the peace subtly interwoven among unhealed sorrows in an exquisitely relaxed exuberance, both fascinating and fairy-tale-like? Perhaps that would lead not only to the healing of the body, but especially of the soul, mutilated by frustrations and burdened by the countless tombs of time.

       If, for one person, miraculous healing, spontaneous healing, was possible, then it is possible for anyone. If one person could transcend his condition, refusing the path to a dismal horizon in favor of light, then perhaps anyone can. For perhaps the words "I cannot" exist only when you imbue them with value, when you grant them energy, when you embrace them in a wholly erroneous conviction that may lead to fatality. And that is solely our own doing, as actor Dorel Vișan so poignantly stated, "We do everything wrong. We eat wrong, drink wrong, think wrong, have wrong relationships, and believe wrong."

      This unsettling film represents a beacon of hope, it is the vital axis in disciplining the mind and setting priorities, a beautifully strategic unveiling of the divine spirit within us, an encouragement, if you will, toward the obsessive, anesthetizing, and paradisiacal access to the heavenly joy hidden in our being. Reinvention, renewal, the fervent desire to continue living, to heal oneself, have brought the documentary's protagonists to where they stand today, marvelous people, reborn individuals, recounting with tears in their eyes the miracle of their lives.

       Mr. Călin Terțan, a soul of distinction and an already evolved spirit, yet one who yearns to evolve further, has grasped this truth, he has understood that only through faith, the supreme power of prayer, and the unbridled serenity of a spiritualized meaning can an extraordinary phenomenon occur, an event defying the laws of nature, if one may so say. It is precisely for this reason that the idea of creating yet another spectacular film renders his person, for what number of times now, an initiator in the mysteries of the occult sciences on Romanian soil.

        We thank him for the steadfastness with which he continues his quest to unveil the hidden light within us all, both to those who are interested and to those less so, preserving the true banner of both the real and the unreal, perhaps involuntarily transforming us into endless disciples, opening new horizons with a unique, providential, and distinguished elegance, self-defining as a mere "instrument," a "tool" of God, just as we all are. In the wise words of Albert Camus, "Real generosity toward the future lies in giving all to the present."

        Perhaps it would be beneficial if the small fraction of 0.1% of those healed could be transformed into 1%, 10%, or, who knows, even more. It depends solely on us. For if a single man can heal through faith, then any man can. Let us not forget this!

         

          Cristea Aurora – writer, member of L.S.R

          November 2024, Galați

                    





02 februarie 2025 | By: roryta

Death: full stop or a comma?

 


I took a deep breath, much like one does when preparing to dive underwater. My pupils widened with eagerness, my heart rose to my throat, and a single tear lingered stubbornly at the corner of my eye—an immense effort keeping it from falling. The subject matter was unimaginably sensitive, at least for me.

Yet… I knew exactly what I was getting into. I knew what I needed to watch, what I had longed for so desperately to face, with eyes wide open. And so, I prepared myself thoroughly—not just emotionally but also physically. I turned off every gadget, settled deeply into my couch, and, with a simple gesture, pressed "PLAY," completely forgetting to breathe.

I watched the film with bated breath. And, to make sure I fully grasped its meaning, I didn’t just watch it once but multiple times—to remember every word, every gesture, every emotion, every sound. I didn’t just empathize with those who had lived these experiences; I wept with them, truly. I felt their tears, their pain, their lump in the throat, as if it were my own. It was as though they were reliving, even now, after so many years, the stories of… death that they had endured.

I have been fascinated by this subject for as long as I can remember. I have always searched for stories like these. I have yearned to meet someone who has lived through such an experience—not the sensational, made-for-TV kind, but something real and true. I want to see the emotion in their eyes, hear it in their voice, watch their expressions, their gestures, their energy, and the aura that surrounds them. It is impossible for anyone to act so convincingly that their lie would not be apparent. To play with topics as delicate as these, without truth, is a profound sacrilege.

I am weary of falsehoods. Of all those “celebrities” who appear for a day, an hour, a show, recounting supposed near-death experiences when, in reality, they know nothing about the subject. They do it for television ratings or for fleeting notoriety, likely for monetary gain. Their falseness is obvious: no emotion, no vibration, no depth.

The protagonists of this film, however, stand out as profoundly authentic. They have experienced clinical death in its rawest, most genuine form. What is striking is that, though these events occurred many years ago, they remain vividly etched in their memory, as if they happened just yesterday. They recount every detail with remarkable clarity, leaving nothing out. Their voices and faces reveal tears but also profound calmness—an acceptance, a resolution, perhaps even a liberation. These moments seem to distill the very essence of human existence.

Each of the ten interviewees shares their story with extraordinary precision. Perhaps this is why the film is so captivating. While humanity shares commonalities, our individuality makes each experience deeply unique. We are all singular beings; everything in this universe is singular. Even with the same anatomy—two hands, two feet, a head—no two people are alike, not even twins. Just as no two days, no two clouds, no two leaves are identical, neither are the experiences of clinical death. One sees a tunnel, another a gate. Some encounter beings of light, while others see themselves floating above their body. Some meet deceased loved ones, while others find themselves in fields of flowers.

These differences likely reflect the inner world of each individual—their beliefs, loves, thoughts, and perhaps most importantly, the compassion they have shown during their lifetime. The life we lead here may shape the visions we encounter beyond.

How can we recognize the light within ourselves? How can we become aware of our spiritual worth and discover the divine essence that resides in us? What blinds us, what prevents us from seeing the light, making us believe that life here is the only thing that matters, when true life begins only afterward? Why do we impose such limitations on ourselves, constraining our vast souls within narrow confines of thought, pride, and illusion? We act as though the universe begins and ends with us. But the truth is, it begins and ends with God.

What have we failed to understand? At what point did we lose ourselves in the tangled thickets of ego, forgetting our divine essence? True freedom is attainable, but only if we genuinely seek it.

For now, we remain beggars at the edges of forgetfulness, faint cries on a planet paved with countless armors—once vibrant, now skeletal remnants of history. We walk indifferently over the graves of our ancestors, showing no reverence for the foundations they laid for us. We desecrate not only their physical remains but also the delicate breath of life itself, a gift so fragile it should never have been sullied, much less trampled upon.

Alongside Mr. Gheorghe, one of the film’s protagonists, I wept. His story revealed a profound truth: love transcends death. The love of a parent for their child, the love that God has planted in our hearts, bridges the temporal and the eternal. It reminds us that, above all else, we are souls inhabiting bodies, not bodies that possess souls. This is the quintessence of life—a truth we resist accepting.

And yet, I often wonder: why has God placed barriers between us, the living, and those who have passed? Why can we not see them? Why do we carry such an insatiable longing for those we love, unable to bridge the divide? What frequencies separate us? If these barriers were lifted, would fear, pride, and hatred disappear? Or perhaps the barriers themselves hold the lesson—to cultivate patience, love, and understanding.

Ultimately, what remains is love. Sublime in its idealism. This love, a fragment of God’s very essence, is what binds us to Him and to each other. It is unique, it is divine. And through this love, we learn, slowly, how to love truly. From it comes the courage to create a film as daring and profound as this—a masterpiece that dares to challenge conventions and venture into the unknown.

Mr. Călin Terțan deserves immense praise for his boldness, for his courage to explore and share these truths with the world. His film is not merely a comma but the beginning of a new paragraph - an invitation to continue exploring the mysteries of existence.

For after death, there can never be a period. Only a comma, followed by continuation. Love, forgiveness, and grace—the attributes of the divine—transcend mortality. Just as God surpasses death, so too does love. This extraordinary documentary must be shared, inspiring minds and hearts, in Romania and beyond.

Pagina filmului

    Aurora Cristea - Writer, Member of the League of Romanian Writers (L.S.R.) Galați, September 2024